China is the only country in the world with a literature written in one language for more than 3,000 consecutive years. This continuity results largely from the nature of the written language itself. It is the use of characters, not letters as in Western languages, that is most important in the Chinese language. The characters stand for things or ideas and so, unlike groups of letters, they cannot and need never be sounded. Thus Chinese could be read by people in all parts of the country in spite of gradual changes in pronunciation, the emergence of regional and local dialects, and modification of the characters .
The dominance of the written language has had significant effects on the development of the literature. In handwriting or in print, a piece of literature has visual appeal. This has given rise to the great respect that calligraphy enjoys in China, where it has been regarded for at least 16 centuries as a fine art comparable to painting (See Calligraphy). The main disadvantage of written Chinese is the great number of characters it contains: Even basic reading and writing require a knowledge of more than 1,000 characters. This has often made it difficult to spread the skills of reading and writing into certain areas of the country. But even with this disadvantage, Chinese has been a potent factor in shaping and maintaining a cultural continuity for millions of people. Because the written characters tend to keep the language stable, Chinese never developed into distinctly separate languages as did Latin in southern Europe with the formation of the several Romance languages.
China has a very old and rich tradition in literature and the dramatic and visual arts. Early writings generally derived from philosophical or religious essays such as the works of Confucius (551-479 BC) and Lao-tzu (probably 4th century BC). These writings were often about how people should act and how the society and political system should be organized and operated. A strong tradition of historical writing also evolved. After the fall of a dynasty, for example, a grand history of the late dynasty was commissioned and written by scholars in the next dynasty.
In addition to philosophical, religious, and historical writings, China also produced poetry, novels, and dramatic writings from an early date. Poetry became well established as a literary form during the T'ang Dynasty, from AD 618 to 907. One of China's greatest poets, Li Po, wrote during this period. This tradition of poetry, often dealing with the relationship of humans to their natural surroundings, has continued.
Drama is another old and important literary form. Chinese drama usually combines vernacular language with music and song and thus has been popular with the common people. A variety of popular and standard themes are presented in Peking Opera, which is probably the best known of several operatic traditions that developed in China. Chinese opera is a favorite artistic and cultural medium.
Early Chinese novels often stressed character development and usually centered on an adventure or supernatural happening; an example is the classic Ming version of `Shui-hu chuan' (The Water Margin). Historical themes were also popular, as in the `Romance of the Three Kingdoms', written in the late Yuan period. There were also love stories such as the extremely popular
"Dream of the Red Chamber', probably China's most famous novel. Many of the early novels were written anonymously. Often these works were written in the vernacular, and many authors felt it was beneath their station to be associated with this type of writing.
China's literary tradition continues to the present, though much 20th-century writing has concentrated on efforts to reform or modernize China. Probably the most famous 20th-century writer is Lu Xun, a poet, essayist, and novelist whose work focused on the need to modernize through revolution. Under Communism, writers have been expected to uphold the values of the socialist state, though the degree of control over their output has varied. (See Chinese Literature; Confucius; Lao-tzu; Li Po; Lu Xun) TOP
The dominance of the written language has had significant effects on the development of the literature. In handwriting or in print, a piece of literature has visual appeal. This has given rise to the great respect that calligraphy enjoys in China, where it has been regarded for at least 16 centuries as a fine art comparable to painting (See Calligraphy). The main disadvantage of written Chinese is the great number of characters it contains: Even basic reading and writing require a knowledge of more than 1,000 characters. This has often made it difficult to spread the skills of reading and writing into certain areas of the country. But even with this disadvantage, Chinese has been a potent factor in shaping and maintaining a cultural continuity for millions of people. Because the written characters tend to keep the language stable, Chinese never developed into distinctly separate languages as did Latin in southern Europe with the formation of the several Romance languages.
China has a very old and rich tradition in literature and the dramatic and visual arts. Early writings generally derived from philosophical or religious essays such as the works of Confucius (551-479 BC) and Lao-tzu (probably 4th century BC). These writings were often about how people should act and how the society and political system should be organized and operated. A strong tradition of historical writing also evolved. After the fall of a dynasty, for example, a grand history of the late dynasty was commissioned and written by scholars in the next dynasty.
In addition to philosophical, religious, and historical writings, China also produced poetry, novels, and dramatic writings from an early date. Poetry became well established as a literary form during the T'ang Dynasty, from AD 618 to 907. One of China's greatest poets, Li Po, wrote during this period. This tradition of poetry, often dealing with the relationship of humans to their natural surroundings, has continued.
Drama is another old and important literary form. Chinese drama usually combines vernacular language with music and song and thus has been popular with the common people. A variety of popular and standard themes are presented in Peking Opera, which is probably the best known of several operatic traditions that developed in China. Chinese opera is a favorite artistic and cultural medium.
Early Chinese novels often stressed character development and usually centered on an adventure or supernatural happening; an example is the classic Ming version of `Shui-hu chuan' (The Water Margin). Historical themes were also popular, as in the `Romance of the Three Kingdoms', written in the late Yuan period. There were also love stories such as the extremely popular
"Dream of the Red Chamber', probably China's most famous novel. Many of the early novels were written anonymously. Often these works were written in the vernacular, and many authors felt it was beneath their station to be associated with this type of writing.
China's literary tradition continues to the present, though much 20th-century writing has concentrated on efforts to reform or modernize China. Probably the most famous 20th-century writer is Lu Xun, a poet, essayist, and novelist whose work focused on the need to modernize through revolution. Under Communism, writers have been expected to uphold the values of the socialist state, though the degree of control over their output has varied. (See Chinese Literature; Confucius; Lao-tzu; Li Po; Lu Xun) TOP
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